The Good, the Bad and the Ugly
Overview
A bounty-hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.
Cast
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Sergio Leone Director -
Clint Eastwood Blondie -
Eli Wallach Tuco -
Lee Van Cleef Sentenza -
Lee Van Cleef Angel Eyes -
Aldo Giuffrè Alcoholic Union Captain -
Luigi Pistilli Father Pablo Ramirez -
Rada Rassimov Maria -
Enzo Petito Storekeeper
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Claudio Scarchilli Mexican Peon
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John Bartha Sheriff -
Livio Lorenzon Baker
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The Good, the Bad and the Ugly (1967) is available to stream free in HD on Moviebox. This movie sits in the Adventure, Drama, Western categories and was produced in Italy. Watch it online without signing up, or download it where the source allows.
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Available Subtitles
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
Beautifully Captured Masterpiece
the good, the bad and the ugly
old
source: The Good, the Bad and the Ugly
Il buono, il brutto, il cattivo
'The Good' is sharp-shooter Blondie (Clint Eastwood), although how someone who runs a bounty racket, betrays his friend, and shoots numerous people dead can be deemed good is beyond me. Bandit Tuco (Eli Wallach) is 'The Ugly', which I think is a little unfair to the bloke: he's no George Clooney, but he's not Quasimodo either. That leaves cold-hearted killer Angel Eyes (Lee Van Cleef) as 'The Bad', which he most definitely is, even going so far as to kill a child in order to achieve his goals. After Blondie and Tuco chance upon a dying Confederate soldier who reveals to them the whereabouts of a fortune in gold, the pair come to the attention of Angel Eyes, who will do anything to lay his hands on the treasure. The Good, The Bad and The Ugly, the third film in Sergio Leone's Dollars trilogy, is an epic spaghetti western that benefits from iconic central characters, an undeniable sense of cool, and, of course, that classic Ennio Morricone soundtrack (Waaawawah, waa waa waa!). Where the film doesn't fare quite so well is in the pacing and storytelling, the basic plot—three guys go in search of hidden treasure—stretched painfully thin, particularly in the Extended Cut, which clocks in at approximately three hours. The expansive historical backdrop—the American Civil War—frequently detracts from the flow of the story and Leone has a tendency to labour a little too much over his style, lingering on his characters for an eternity and repeating similar shots ad nasueum, all of which